World of Bonsai and Gardening

The Taikan-Ten International Bonsai Exhibition in Kyoto, Japan

Magestic Bonsai on Display - Picture taken by Julian Tsai courtesy of Bonsai Empire

The Taikan Ten Exhibition

The building is just down the street from the famous Heian Shrine, well known for a large and impressive tori gate. This exhibition is perhaps the second largest and most prestigious bonsai exhibition in Japan. I particularly like this show because it features displays. Both bonsai, suiseki and art objects are formally displayed, many with scrolls. This is not the common traditional bonsai exhibition. There were a few contemporary displays as well in good taste too.The Taikan-ten is one of Japan's leading Bonsai exhibitions, with an incredibly high level of Bonsai trees on display. It takes place each year in November, in the city of Kyoto Japan. The Taikan-ten is one of the few traditional shows that features Bonsai in displays, with scrolls and suiseki. But several contemporary displays can be found as well. The best of the show is awarded the Prime Minister Award and some of the Bonsai masterpieces may reach easily 160thousand dollars. If you are interested in the Japanese marketplace, ZenPlus offers Japanese craftsmanship and represents unparalleled craftsmanship.

The entrance of Bonsai Taikan exhibition in Kyoto Japan

Bonsai on display at Taikan Ten Exhibition in Kyoto Japan

Source: Julian Tsai & Bonsai Empire

Epic Bonsai on display at Taikan Ten exhibition in Kyoto Japan

Source: Julian Tsai & Bonsai Empire

The walkway hall at Taikan Ten Bonsai exhibition in Kyoto, Japan

Numerous visitors admiring Bonsai on display at Takan Ten exhibition held in Kyoto, Japan

An interesting fact is although all the bonsai are beautiful, not all are of the high Kokufu Bonsai Exhibition quality. Professional bonsai artists nominate the bonsai for entry. There are two general sizes of display and I believe the entry fee is US $500 and $1,000 per display areas. The trees are classified by size, large, medium and small, and by type, evergreen, deciduous, satsuki, shohin bonsai, literati, forest and rock plantings. The suiseki are classified as those in water basins, daiza bases and figure stones. Most of the Bonsai exhibitions are in Autumn, that is when the Bonsai trees manifest their true beauty on display.

Taiken-Ten Bonsai exhibition - most of Bonsai exhibition are in autumn, thats when the trees manifest their true beauty

Autumn Bonsai on display manifesting their true beauty at Taikan Ten International Bonsai exhibition in Kyoto Japan

Epic Bonsai trees on display at the Taikan-Ten Bonsai Exhibition in Kyoto Japan

Source: Julian Tsai & Bonsai Empire

Bonsai tree in autumn on display at the Taikan-Ten Bonsai exhibition in Kyoto Japan

Source: Julian Tsai & Bonsai Empire

Expensive Bonsai tree on display at Taikan-ten Bonsai exhibition in Kyoto

Source: Julian Tsai & Bonsai Empire

Interesting Bonsai articles can be found here:

Please click here for more information on --> Chinese Penjing Bonsai

Please click here for more information on --> The Origins of Bonsai

Please click here for more information on --> The Art of Saikei Bonsai

Please click here for more information on --> Japanese Tanuki Bonsai

Please click here for more information on --> How to Water a Bonsai

Please click here for more information on --> Bonsai Healing Methods

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Interesting Books on Bonsai can be found here:

The Complete Book of Bonsai --> I've been into bonsai for 25 years and this is the basic Bible for beginner and intermediate bonsai enthusiasts. It has an excellent section on techniques, including pruning, wiring and whatnot, and it has a large species-specific tree guide. If you're into bonsai and want only one book, this is it.

Indoor Bonsai The Great Selection --> Creating beautiful, healthy bonsai is a wonderful skill that anyone can learn, with a little time, patience, and this all-inclusive manual. With color photos and drawings to illustrate the points, it introduces all the cultivation techniques; offers expert advice on location, soil types, watering, and pest control; and provides intricate instruction on training the bonsai--including pruning, wiring and stretching it.

The Secret Techniques of Bonsai --> In The Secret Techniques of Bonsai, the author of the groundbreaking Bonsai With American Trees teams up with his son to offer not only the basics for creating perfect bonsai, but also secret techniques they’ve developed over years of careful work and observation.

Bonsai Survival Manual --> Problem solving when your Bonsai get sick. Expand your gardening repertoire as you create a captivating and exquisite miniature world. In this introductory guide, Colin Lewis covers everything you need to know to design, grow, and successfully maintain attractive bonsai.

Bonsai and the art of Penjing --> Bonsai & Penjing, Ambassadors of Beauty and Peace describes how Chinese penjing and North American bonsai were later added to the Museum, making its collection the most comprehensive in the world. Stories of individual trees and forest plantings are featured, as are the roles played by the skilled and talented creators of these living art forms people such as John Naka, Saburo Kato, Yuji Yoshimura, Harry Hirao, and Dr. Yee-Sun Wu.

Bonsai with Japanese Maples --> With their delicate foliage, seasonal color changes, and intricate pattern of branching, Japanese maples are among the most popular and suitable plants for bonsai design. In this long-awaited book, internationally renowned expert Peter Adams discusses both the specific horticultural needs of Japanese maples as bonsai subjects and illustrates proven techniques for creating and maintaining beautiful specimens.

The Modern Bonsai Practice --> The most current, useful information on growing Bonsai. Fresh, practical, definitive, comprehensive reference guide to the finest art of horticulture: growing miniature trees. Common sense bonsai answers separating myth from fact with depth and detail. Appropriate for both bonsai hobbyists and experienced practitioners.

Lighting for Indoor Bonsai and House Plants

Indoor Bonsai on display during a cold winter day exposed to sunlight

Trees and plants have something in common, the location of your indoors and outdoors is crucial for it's survival and health in general. Both love bright spots but having said that it's just scratching on the tip of the iceberg. We can ask ourselves, why do certain trees reach centuries of lifespan and look healthy and thriving whereas others don't? Although the success of growing a Bonsai is not all about location, it's certainly an important aspect. An additional factor plays the species of your Bonsai, especially if it originates from a subtropical climate or otherwise. A tree in India might thrive better than equally in Europe or America and vice versa.

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Different strokes for different folks, this rule of thumb applies not only to humans but also to plants and trees in general. Deciding on what is the best location to place your Bonsai tree can be hard, as several factors (local climate, time of year, tree species, etc.) should be taken into consideration. The best is to know what species of tree you have and to look for specific information about it.

Most outdoor trees are best placed on a bright spot, about half the day in direct sunlight, and protected from the wind. Indoor trees are best placed in a bright position as well; usually right in front of a window facing the South. Place indoor trees somewhere with a constant temperature. (See picture above) A typical indoor Bonsai can be a Ficus, Carmona or Chinese Elm whereas a typical outdoor Bonsai is a Juniper, Pine or Maple.

Suitable amounts of light is critical for the survival and health of a plant. Low levels of light make a plant weak and susceptible to all kinds of pests and disease. Giving your plant the right 'strength' and 'colour' of light could make the difference between a vibrant or struggling bonsai... The first thing we have to do is identify the quantity of light that you’re looking at in the area that you’re going to put your bonsai. You use a little light meter for that. The light meter generally has a lux which tells you the density or intensity of light. On a good bright day, you could have around 100,000 lux outside in the bright parts of the world. In the tropical parts, maybe 6000K and on a cloudy day, it can go down to 4000 lux. On dark days, it can get even less. Indoors, the light levels vary quite significantly. The human eye can read at 198 lux, but even the plants that live in the undergrowth in the Amazon forest require at least 400 lux to survive.

Ficus’ and other indoor plants can generally manage at that kind of light level. Bonsais, on the other hand, generally need a lot more light. 3500 – 4000 lux is a good reading to have. You need to then choose appropriate lighting for the area that you’re going to have. Sometimes you can have light that creates heat. HID – High Intensity Discharge lighting. Then there is metal halide lighting (MH) and there’s also HPS or High Pressure lighting. They use a lot of electricity for one but they also generate a lot of heat, and the other thing about this kind of light is that it’s a general spectrum, so it goes across the entire spectrum of light.

Most of the light, or 20% of the light is used by the plant. Using fluorescent light, which is the other type of light is more accurate and fluorescent lights are colour corrected. You can get very precise lighting for the plant depending on what your plant is doing, whether you want it to grow leaves and be used between 500K and 6000K. It is a blue light and then you have for flowering, you would use 2000 to 2700K which is on the red spectrum. There is a new mention in the plant light area, made from LEDS - light emitting diodes. They generally come in panels or in strips. They can be used right over the plant and sometimes, if it’s a long strip, can even put it within the plant to light up the area. It’s not advisable to run the light 24 hours a day because trees need to rest. Trees need to be dormant in the night. When you can feel the heat and light outside, that’s the best time to have your additional lighting or support lighting for the trees.

The Four Basic Things to Keep in Mind

How to position your Bonsai
Watering your Bonsai
Pruning and Shaping your Bonsai
Re-potting your Bonsai

Over watering or under-watering your Bonsai is the no. 1 Killer

Micro Automatic Drip Irrigation Kit Self Watering System

These factors play a crucial role in keeping your Bonsai healthy and stimulate growth. The positioning is crucial, as your bonsai should be kept away from direct heat or draft. The lighting is ideally in an area with plenty of sunlight. In addition, Bonsai's need humidity in order to keep their soil moist. Please always remember that the path to Bonsai longevity depends on your PATIENCE and dedication.

The number one cause of most bonsai tree deaths is under-watering. Because the soil layer is so shallow, it is prone to drying out very quickly. Bonsai trees should be watered right when the top layer of soil appears dry. Depending on the type and size of your tree, as well as the type of soil you use, the frequency of watering can differ and can even be once a day. Therefore, it’s best to water each of your bonsai plants individually, instead of sticking to a routine.

When watering your bonsai tree, the main goal is to fully saturate the root system with water. To ensure proper saturation, keep watering until water escapes through the draining holes. To allow for proper draining, many bonsai trees come with a tray to collect excess water.

Over watering can also be detrimental for your bonsai tree. Symptoms of an over watered bonsai include: yellowing of leaves and the shriveling of smaller branches. If a bonsai is over watered, its roots are drowning in water and are deprived of oxygen which prevents further growth to support the tree. Over watering can also result from poor-draining soil. Although sporadic watering may seem an easy task, well it is not. An automated water drop irrigation system helps to water your bonsai sporadically.

To ensure that you are watering your bonsai properly, you’ll need to assess your bonsai tree daily. The rule of thumb is to water as soon as the soil appears dry.

Pruning is essential for keeping bonsai trees small and for maintaining their compact shape

There are two main types of pruning: maintenance pruning and structural pruning.

Maintenance pruning strengthens the tree by encouraging new growth. By cutting away young shoots and leaves it exposes the leaves underneath to air and sunlight which further strengthens the tree and benefits its overall health.

Areas that require maintenance pruning include the branches, buds, and leaves. Pruning away branches encourages the growth of smaller branches and allows you to control the shape of your tree. Pruning buds away from branches produces a more compact leaf growth which encourages the growth of smaller leaves.

Typically, you should prune your bonsai tree when you see new growth that’s starting to morph the shape of your tree in an undesirable manner. For flowering bonsai's, pruning should take place during the spring to encourage more flowers to grow the following year.

Structural pruning is a more advanced technique that should only be done when the tree is dormant. It involves the removal of the tree’s primary structural branches and requires the skills of a professional to ensure that the tree can recover.

Another way to properly shape your bonsai tree is to wire its branches. You can control the shape and growth pattern of certain branches by wrapping a thin wire around them. Wiring is best done during winter when the leaves of the bonsai tree have fallen off. Be sure to keep an eye on the branch’s growth and remove the wire when necessary. If the branch grows too fast, it can grow into the wire and cause scarring.

TO THE STORE

The secret techniques of Bonsai - A guide to starting, raising and shaping bonsai by Masakuni Kawasumi II

Interesting Books on Bonsai can be found here:

Bonsai and the art of Penjing --> Bonsai & Penjing, Ambassadors of Beauty and Peace describes how Chinese penjing and North American bonsai were later added to the Museum, making its collection the most comprehensive in the world. Stories of individual trees and forest plantings are featured, as are the roles played by the skilled and talented creators of these living art forms people such as John Naka, Saburo Kato, Yuji Yoshimura, Harry Hirao, and Dr. Yee-Sun Wu.

The Art of Ikebana 生け花

The art of Ikebana has been forgotten in recent years. Ikebana is simply magic, the art itself is a distinctive attraction that many people around the world admire. The good news is that Ikebana is making a comeback for future generations. In ikebana, the Japanese art of flower arranging, blossoms, branches, leaves, and stems find new life as materials for art making.

In contrast to the Western habits of casually placing flowers in a vase, ikebana aims to bring out the inner qualities of flowers and other live materials and express emotion. Ikebana can be practiced by both amateurs and professionals, both of whom are able to achieve elegant results. However, like many other art forms, mastering the basics is fundamental to any practice, and only then can a person begin to experiment. If you are interested in the Japanese marketplace, ZenPlus offers Japanese craftsmanship and represents unparalleled craftsmanship.

Guided by precision, a core value of Japanese culture, beginners are taught basic technical skills like how to properly cut branches and flowers, how to measure angles in space for the correct placement of branches and stems, and how to preserve live materials along with the etiquette of maintaining a clean work station.

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Beginners are also taught how to sensitize their eyes to the materials, to be able to bring out their inner qualities, and understand how this changes with each arrangement. Beginner arrangements done in the Nageire and Moribana styles often make use of two tall branches and a small bundle of flowers. These pieces follow the three-stem system of shin, soe, and hikae elements that have traditionally represented heaven, man, and Earth, respectively. Now, on a practical level, they refer to the main stems that are employed. All other stems are called jushi, meaning supporting or subordinate stem.

How does Ikebana look like?

Ikebana arrangements are not unlike sculptures. Considerations of color, line, form, and function guide the construction of a work. The resulting forms are varied and unexpected and can range widely in terms of size and composition, from a piece made from a single flower to one that incorporates several different flowers, branches, and other natural objects.

In Japanese culture, most native flowers, plants, and trees are embedded with symbolic meaning and are associated with certain seasons, so in traditional ikebana, both symbolism and seasonality have always been prioritized in developing arrangements. Some of the most common elements used are bamboo grass year-round; pine and Japanese plum branches around the new year; peach branches for Girls Days in March; narcissus and Japanese iris in the spring; cow lily in summer; and chrysanthemum in autumn. Modern ikebana practices call for the same sensitivity to seasons, as well as to the environment in which an arrangement is being made.

Sometimes, practitioners of ikebana, or ikebanaists, trim flowers and branches into unrecognizable shapes, or they may even paint the leaves of an element. Plant limbs may be arranged to sprout into space in various directions, but in the end, the whole work must be balanced and contained. At times, arrangements are mounted in a vase, though this is not always the case.

In ikebana, it is not enough to have beautiful materials if the materials are not artfully employed to create something even more beautiful. Given a skilled maker, one carefully placed flower can be just as powerful as an elaborate arrangement.

The Styles

Patterns and styles evolved, and by the late 15th century arrangements were common enough to be appreciated by ordinary people and not only by the imperial family and its retainers.

Ikebana in the beginning was very simple, constructed from only a very few stems of flowers and evergreen branches. This first form of ikebana is called kuge (供華).

Styles of ikebana changed in the late 15th century and transformed into an art form with fixed instructions. Books were written about it, "Sedensho" being the oldest one, covering the years 1443 to 1536. Ikebana became a major part of traditional festivals, and exhibitions were occasionally held.

The first styles were characterized by a tall, upright central stem accompanied by two shorter stems. During the Momoyama period, 1560–1600, splendid castles were constructed. Noblemen and royal retainers made large decorative rikka floral arrangements that were considered appropriate decorations for castles.

The Rikka (standing flowers) style was developed as a Buddhist expression of the beauty of landscapes in nature. Key to this style are nine branches that represent elements of nature. One of rikka arrangement styles is called suna-no-mono (砂の物; sand arrangement).

When the tea ceremony emerged, another style was introduced for tea ceremony rooms called chabana. This style is the opposite of the Momoyama style and emphasizes rustic simplicity. Chabana is not considered a style of ikebana but is separate. The simplicity of chabana in turn helped create the nageirebana or "thrown-in" style.

Nageirebana ("thrown-in flowers") is a non-structured design that led to the development of the seika or shoka style. It is characterized by a tight bundle of stems that form a triangular three-branched asymmetrical arrangement that was considered classic. It is also known by the short form nageire.

The Shōka ("pure flowers") style consists of only three main parts, known in some schools as ten (heaven), chi (earth), and jin (human). It is a simple style that is designed to show the beauty and uniqueness of the plant itself. Formalization of the nageire style for use in the Japanese alcove resulted in the formal shoka style.

In Moribana ("piled-up flowers"), flowers are arranged in a shallow vase or suiban, compote vessel, or basket, and secured on a kenzan or pointed needle holders, also known as metal frogs.

Jiyūka ("free flowers") is a free creative design. It is not confined to flowers; every material can be used. In the 20th century, with the advent of modernism, the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".

(Source of information: Wikipedia.org)

The Humble Beginnings of Ikebana

The roots of ikebana in Japan are believed to trace back to either the ceremonial practices of the native Shinto religion or to a tradition of making floral offerings in Buddhism, which was imported from China in the 6th century.

The first known written text on ikebana, called Sendensho, was penned in the 15th century. In it, readers find a thorough set of instructions on how to create arrangements that are appropriate to certain seasons and occasions; its directives make clear that the practice of ikebana embodies the evolved appreciation and sensitivity to nature that Japanese culture is known for more broadly.

Around the same time, ikebana started to become a secular activity. The design of the Japanese home during this period reflects this transition: new homes were almost always built with a special recess called the tokonoma, which would contain a scroll, a precious art object, and a flower arrangement.

Amidst the muted colors and flat planes of the traditional Japanese home, the tokonoma stood out as the singular place for color and decoration, and deep consideration was given to the objects placed there. In keeping with the Japanese culture’s reverence for impermanence, tokonoma displays were rotated regularly, with the changing seasons and during festive occasions. Arranging flowers in this context paved the way for ikebana and its recognition as a distinct art form.

The Traditional Schools

Ikebana Flower Arrangement Pins

In the 15th century, with the sudden ubiquity of the tokonoma and teachings of the Sendensho, ikebana practices began to flourish. First came the rise of the Ikenobo School, whose name refers to a long line of priests in Kyoto who followed the Buddhist tradition of presenting floral offerings in the temple. During this time, Ikenobo Senkei gained fame for his skillful floral compositions; today, he is considered the first master of ikebana.

The secular style that Senkei practiced became known as Rikka, which means “standing flowers.” This type of ikebana is made with seven core elements (or sometimes nine), which are a mix of tree branches and two or three flowers—pine, chrysanthemum, irises, and boxwood are commonly used. These elements are combined, traditionally in an ornate Chinese vase, to create bursting, triangular shapes, with tall elements at the center and shorter ones shooting outwards. To be able to make the main elements stand upright without support requires a high level of technical skill. Rikka compositions are considered the most grand, but also the most rigid (even by today’s standards). They were originally intended for temples and later found in royal palaces and the stately homes of the rich.

At the same time, a more modest approach to flower arrangement was also gaining popularity as an extension of Zen Buddhism and the Wabi-Sabi and Tea Ceremony aesthetics that grew from its core tenets. Japan’s most famous tea master, Sen no Rikyū, introduced an appreciation for imperfect, modest aesthetics in his tea ceremonies, which included the use of flowers. Rather than constructing over-the-top Rikka-style arrangements, Rikyū preferred minimalist, single-stem arrangements, like one morning glory placed in a simple vase made by a local artisan. These ceremonies led to the formation of the second major style ikebana, which came to be known as Nageire, meaning “thrown in.”

In its early form, Nageire was free of the rules and formality that governed the Rikka style. As the antithesis to Rikka, flowers in Nageire arrangements were not designed to stand upright on their own and were instead placed in tall vases that supported the stems of the flowers.

Rikka and Nageire represent two opposing viewpoints. Rikka, though technically a secular style, concerns itself with the the cosmos, harking back to its Buddhist origins. In contrast, Nageire’s more organic approach focuses more directly on connections with nature.

The Transition to Modern Schools

Due to over 200 years of political isolation in Japan, there were no further innovations in ikebana until 1868, when the country reopened to foreign exchange. People were quick to embrace Western customs, and in the world of ikebana, this catalyzed a series of radical changes.

In 1912, the first modern school of ikebana, the Ohara School, was established. Its founder, Unshin Ohara, helped the art form evolve by introducing the Moribana style, and through it, implementing two major changes: the incorporation of Western flowers, and the use of a shallow, circular container to make flowers stand upright, with the help of the kenzan.

The flexibility and variation that the Moribana style allows for has made it a favorite and a staple in almost every ikebana school today. At the core of Moribana is a three-stem system, whereby three flowers are almost always fixed to create a triangle. Compositions that do not follow this triangle system are known as freestyle. Freestyle is also used to describe more creative and original approaches to ikebana, where the maker uses their knowledge of form, color, and line from previous practice to develop new arrangements that don’t necessarily adhere to traditions.

Changes continued with the creation of the Sogetsu School in 1927. Its founder, Sofu Teshigahara (whose father was also an ikebana master), is credited with elevating ikebana from a technical practice to an art at the level of sculpture, which is how it is has been viewed ever since.

Teshigahara’s approach called for greater freedom and the use of other live materials. For him, the forgotten parts of nature—like dirt, rocks, and moss—were just as ripe with expressive potential as flowers. He heartily believed that excellent ikebana is not divorced from the life and times of its creator, and that a flower is an irreplaceable, expressive tool that reveals the soul. With these innovations, the Rikka style began to fade. At present, Ikenobo, Ohara, and Sogetsu are the most popular styles, with around 400 of these schools operating today.

Ikebana Today

In the mid-20th century, the internationalization of ikebana was spurred by the efforts of Ellen Gordon Allen, an American who studied ikebana while living in Japan. She saw ikebana as a means of uniting people from around the world. Beginning in 1956, Allen worked with the major ikebana schools to found a nonprofit organization called Ikebana International, which would propel a diplomatic mission: “friends through flowers.”

In the decades since, chapters for all the major schools have sprouted up on a global scale. In recent years, the practice has inspired contemporary artists like Camille Henrot and a wide swath of floral artists, who use the tenets of ikebana to develop new, original creations.

Anyone who practices ikebana today knows well that building relationships is at the core of the practice—relationships between materials, between students, and between teachers and their pupils.

In Japan today, the word kado, meaning “way of flowers,” is the preferred term for ikebana, as it’s believed to more accurately capture the spirit of the art as a lifelong path of learning.

The impermanence built into this art, beginning with its dependence on nature’s seasons, lends itself to never-ending exploration and experimentation for ikebanaists. Teshigahara was firm in his conviction that a successful lifelong ikebana practice requires curiosity, not complacency. “We must strive to develop into artists with breadth and depth instead of remaining comfortable in our artistic niche,” he once said. “Our creations should vary. If we do not venture out we will never become outstanding artists.”

Interesting books on Ikebana

Japanese Ikebana for every Season - Authors Rie Imai and Yuji Ueno explain how to select flowers and containers from things that are already around—and then turn them into something special.

The latest book Exploring Ikebana - This book is a comprehensive introduction into the art and wants to unveil some of the secrecy and philosophical ideas projected into this ancient Japanese style of flower design.

Poetical Ikebana and art of Haiku - The combination of Ikebana and Haiku is a more than successful one. The similarities between the arts go far beyond their Japanese origins. The seductive simplicity of Haiku, its subtleties and sparse use of words, its silences and depth of meaning, its rhythms and seasons.

Keiko's Ikebana Contemporary Approach - Keiko's unique approach to ikebana, the Japanese art of flower arranging, combines traditional techniques with modern tastes. Her influences—which range from sculpture to today's Western floral design—come together to create one-of-a-kind arrangements that are authentic and eye-catching, simple and graceful, and possible for anyone to achieve.

Sangetsu School of Ikebana - The way of Sangetsu is to express the inherent beauty of nature in a flower arrangement, allowing our own inner consciousness of beauty to unfold in the process. We invite you to participate in this healing art form that is guided by love of nature and humanity.

The Oldest Bonsai Trees in the World 世界で最も古い盆栽の木

As simple as it seems, it's not that simple to discover the oldest Bonsai's on earth. These are the ones that are known to public, the youngest tree is estimated to be 300 years and above. Not only the age of these astonishingly well kept trees is a challenge but also the upkeep. Can you imagine if a 500 years old tree just dies in front of your eyes ? That would be the ultimate disaster but thank god trees are quite resistant over time. If you have trees that are older than the ones listed below, please feel free to let me know. I will be happy to include your Bonsai on this list. I firmly believe that there must be even older ones somewhere in remote areas in China.

First and foremost before going too much into details, what makes it a Bonsai ?

A tree planted in a small pot is not a bonsai until it has been pruned, shaped, and trained into the desired shape. Bonsai are kept small by careful control of the plant's growing conditions. Only branches important to the bonsai's overall design are allowed to remain and unwanted growth is pruned away. Roots are confined to a pot and are periodically clipped. Bonsai may have a stylized or exaggerated form, but it is always reflective of the tree as found in nature. The appearance of old age is prized, and in fact, bonsai may live to be hundreds of years old. The living bonsai will change from season to season and from year to year requiring pruning and training throughout its lifetime. As time goes on, it will become more and more beautiful.

Bonsai, which is the Japanese art of growing small trees in containers, dates back to about the 6th century BCE. During this time period, Imperial embassy personnel and Buddhist students would travel to China and bring back container plantings called penjing (the ancient art of depicting artistically formed trees and landscapes in miniature).

One of the hallmarks of the art of bonsai is that with proper care, a tree can survive for many years and be passed down as a family heirloom. The following list covers the seven oldest bonsai trees in the world and their storied pasts.

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Chabo-hiba Cypresses

Estimated: 275 years old
Location: Cambridge, Massachusetts, USA

Source: bark.com

The Chabo-hiba Cypresses are a part of the Larz Anderson Collection of Japanese Dwarfed Trees at Harvard University’s Arnold Arboretum. Anderson, who served as an ambassador to Japan brought back a large collection of bonsai trees to the U.S. in 1913. After his death, his widow Isabel Anderson donated 30 plants to the Arnold Arboretum with the rest of the trees added to the collection after Isabel’s death in 1949.

The jewels of the collection are the six Chabo-hiba (hinoki cypress) trees, ranging in age from 150 – 275 years old. These trees are the oldest still living bonsai trees in America.

Yamaki Pine
395 years old
Location: Washington D.C., USA

Yamaki Pine - 395 years old Bonsai located in Washington

Source: National Geographic

In recent years, the Yamaki Pine has become one of the most famous bonsai trees in the world as its true history was uncovered in 2001. The bonsai tree, which has been residing in the U.S. National Arboretum, was donated to the United States by Masaru Yamaki in 1976 as a 53-specimen gift for the country’s bicentennial and is a survivor of the atomic bomb dropped on Hiroshima, Japan during World War II.

The National Arboretum was unaware of the bonsai tree’s history until two of Yamaki’s grandchildren came to check up on the tree in 2001. Yamaki’s grandchildren provided the museum with the tree’s history and even told them that there was news footage taken at the Yamaki Nursery after the blast showing the tree unharmed in the background.

In 2015, the National Arboretum honored the tree’s history as it was the 70th anniversary of the Hiroshima bombing.

Sandai Shogun no Matsu
500 years old

Location: Tokyo, Japan

The Sandai Shogun no Matsu, which is a five-needle pine, is one of the National Treasures of Japan. The bonsai is thought to be over 500 years old and is named for Shogun Tokugawa Iemitsu. Iemitsu had the tree when it was already about 200 years old and since then, the bonsai has been passed down from emperor to emperor.

This bonsai tree has been cared for by Japan’s emperors for over 500 years and today, the Sandai Shogun no Matsu is displayed in the Tokyo Imperial Palace collection.

The Atami Red Pine Bonsai

600 years old

Location: Atami, Japan

Yes, Bonsai can be large trees too. The red pine bonsai located at the Akao Herb & Rose Garden is not only one of the oldest bonsai trees, but it is believed to be the largest bonsai in the world. The tree is over 16 feet tall and over 30 feet wide and while its size is atypical for a bonsai, the red pine still qualifies as a bonsai tree as it is contained in what can technically be considered a pot.

The tree is so massive that a support had to be added in order to hold up one of its main branches.

The Shunkaen Bonsai Tree

800 years old

Location: Shunkaen nursery, Tokyo, Japan

Source: Bonsai Empire

The Shunkaen Bonsai Musuem, which is owned and operated by Kunio Kobayashi, is home to two of the oldest bonsai trees in the world, both of which are estimated to be over 800 years old.

Kunio Kobayashi is a bonsai master who has been practicing the art for over 30 years. Kobayashi opened the Shunkaen Bonsai Museum in 2002 to help spread Japanese culture, especially the art of bonsai and to exhibit the work done by him and his apprentices.

The Mansei-en Juniper Bonsai

1000 years old

Location: Omiya, Japan

Source: Bonsai Empire

The 1,000 year old Juniper bonsai tree is located in the Mansei-en bonsai nursery which is owned by the Kato family. The Juniper tree was collected from the wilds of Japan and tested to be over 1,000 years old.

Mansei-en is one of six famous bonsai gardens that make up the Omiya Bonsai Village – it is the oldest garden located in the village as the Kato family has owned this garden since the 19th century and it was officially opened to the public in 1925. The garden is also home to old bonsai trees, including a 700-year-old Shimpaku Juniper tree (which can be seen in a picture on the website linked in this paragraph).

The Ficus Bonsai

1200 years old

Location: Parabiago, Italy

Source: Bonsai dilettante

The Ficus retusa Linn, which is found at the Crespi Bonsai Museum in Italy, is believed to be the oldest existing bonsai tree in the world at an estimated 1,000 years old. Luigi Crespi, the founder of the Crespi Bonsai Musuem, spent ten years trying to gain ownership of the bonsai tree and he succeeded in 1986.

The tree had previously been previously taken care of and shaped by Chinese masters and during its first years in Italy it was shaped by Japanese bonsai master Shotaro Kawahara. Crespi and Alberto Lavazza have since been taking care of the tree. Once the Crespi Bonsai Museum was founded in 1991, the tree was placed in a glass pagoda and became the centerpiece of the museum.

Interesting Books on Bonsai can be found here:

The little bonsai

Growing and Caring for Bonsai Trees

The Taikan-Ten International Bonsai Exhibition in Kyoto, Japan

Lighting for Indoor Bonsai and House Plants

The Art of Ikebana 生け花

The Oldest Bonsai Trees in the World 世界で最も古い盆栽の木